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I should not be able to travel 23 hours and still be inside a venue run by the same music conglomerate.

That’s too far a distance for any one cultural prerogative to speak. One name, one logo, one conversation about what music exists.

No one can accurately measure the cultural grey-out, because on paper it looks like each venue still exists. But one by one all their pretty colours are slowly being stirred into one paint mix.

The independent venues that remain, have no time to explain the shapeshifting required to resist.

But we should all persist in wanting to travel 23 hours, and not be sending emails to the same @ company email list.

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A release day in 2026